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"This historic 1957 session, beginning with Monk's favorite
hymn ("Abide With Me") and ending with the composer's most
affecting ballad ("Crepescule With Nellie"), functions as
an overview of his career. As such, MONK'S MUSIC, Thelonious' fifth
album for the Riverside label, is a shot across the bow of the hard
bop movement. A cubist intro by Monk and Wilbur Ware sets the tone
for an extended seven-piece rendition of the pianist's classic "Well,
You Needn't," with a fiery underpinning by Art Blakey. Monk is
at his angular, bluesy best, opening with Charlie Christian-like percussive
accents. He grows more taciturn in the second chorus, unleashing some
of his most dynamic rhythmic devices before crying out for "Coltrane,
Coltrane." Monk, Ware and Blakey drive Trane relentlessly, and
the tenor giant responds with taut, screaming lyricism. Monk responds
to Copeland's Gillespie-ish shouts with child-like glee, then recedes
as Blakey ghosts Ware's dark, driving punctuations before his own
polyrhythmic explosion. Coleman Hawkins enters on the crest of a drum
roll with operatic fervor, followed by a feline Gigi Gryce, a coy
Monk and a final reprise of the theme. A classic moment in jazz. But
MONK'S MUSIC contains numerous highlights. Contrast Hawkins' elegant,
barrel-chested machismo on the ballad "Ruby, My Dear" with
Trane's rendition a year later on THELONIOUS
MONK WITH JOHN COLTRANE. There are two takes of "Off Minor,"
one of Monk's most swinging lines. Hawkins comes off the starting
blocks of the master take like a pit bull, Copeland responds in kind,
and Monk follows with dissonant shards of counterpoint and harmonic
subversion. Coltrane draws first blood on the spooky "Epistrophy,"
obviously inspired by Hawkins' steely melodic focus and Monk's probing
cross-rhythms; Gryce's solo illustrates his fresh approach to the
alto, and Blakey's solo, with its crushing rolls and extraordinary
bent tones, is a masterpiece.
"Simply stated, this remastered CD contains some of the most
memorable interpretations of Monk's music ever recorded. The original
cover of Monk sitting in a little red wagon reminds us that, in 1957,
he was still considered eccentric by the mainstream. The presence
of elder statesman Coleman Hawkins in the horn section (along with
John Coltrane and Gigi Gryce), however, indicated that the transition
to bebop was now complete. Versions of well-known Monk compositions
"Well, You Needn't," "Epistrophy," and "Off
Minor" are played with a spirited flourish, with the occasional
misstep only making the overall effect even more exciting. Though
not fluent, Hawkins nonetheless proves himself conversant with the
new vernacular, Coltrane blows with increasingly confident brio, and
Monk's playing throughout is exceptional." (Wally Shoup, Amazon)
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