Bebop-Pianist Monk zeigt bei heißen Combo-Sessions, wieviel virtuose Kraft seine oft skurrilen Ideen wecken können. Er liebte harte Brüche sowie hitzige Soli und ließ sich dafür Themen von zeitloser Schönheit einfallen. Die spielte er 1947 in Trio- sowie Quintett-Besetzungen.

(© Audio)

"Genius Of Modern Music Vol.1" (CDP 7815102, 63:16) und "Vol.2" (CDP 7815112, 60:35), sowie "Milt Jackson" sind die einzigen Aufnahmen, die der revolutionäre Monk unter seinem Namen für Blue Note einspielte. ** Interpret.: 10/08 ** Klang.: 06-08 ** Repertoire.: 10

(© Stereoplay)

Volume 1 of the two-volume Genius of Modern Music set comprises the first sessions Thelonious Monk recorded as a leader, on October 15 and 24 and November 21 of 1947. It's impossible to overstate the importance of these sessions. They include some of the earliest recordings of Monk compositions that would become standards, despite their angularity and technical difficulty: the strange, sideways chord progression of "Thelonious"; the bouncy and cheerful but melodically cockeyed "Well, You Needn't"; the post-bop Bud Powell tribute "In Walked Bud"; and, of course, "'Round Midnight," which is now one of the most frequently recorded jazz compositions ever. There are kinks to be worked out: Art Blakey's drumming is fine, but he obviously hasn't quite taken the measure of Monk's compositional genius, and on the November session, alto saxophonist Sahib Shihab employs a fat, warbly tone that sounds out of place. But the excitement of discovery permeates every measure, and Monk himself is in top form, his solos jagged and strange, yet utterly beautiful. This first volume of Genius of Modern Music, along with the second, belongs in every jazz collection.

(by Rick Anderson, All Music Guide)

Blue Note was the first record company to take a chance with Monk, whose unorthodox music with its jarring dissonances and quirky melodies many listeners found challenging. The label recorded a slew of 78-rpm singles between 1947 and 1952, eventually collecting those sides on two companion LP volumes titled Genius of Modern Music. Highlights are plentiful, including early versions of Monk’s most memorable tunes such as “Straight No Chaser,” “Ruby My Dear,” “Well You Needn’t,” and the immortal ballad “Round About Midnight.”

(www.udiscovermusic.com)

Though Miles Davis mainly recorded for Prestige in the first half of the 1950s, he cut three sessions – with different sets of musicians – for Blue Note between 1952 and 1954. It resulted in two albums that are regarded as a blueprint for the hard bop sound, infusing jazz with blues and gospel elements. Whether he’s playing fast and furiously on uptempo material, like “Tempus Fugit,” or waxing lyrical on the wistful ballad, “It Never Entered My Mind,” Miles’ playing is never less than sublime.

(www.udiscovermusic.com)