| Although Walker's second album was his biggest commercial success, actually 
        reaching number one in Britain, it was not his greatest artistic triumph. 
        His taste remains eclectic, encompassing Bacharach/David, Tim Hardin, 
        and of course his main man Jacques Brel (who is covered three times on 
        this album). And his own songwriting efforts hold their own in this esteemed 
        company. "The Girls From the Streets" and "Plastic Palace 
        People" show an uncommonly ambitious lyricist cloaked behind the 
        over-the-top, schmaltzy orchestral arrangements, one more interested in 
        examining the seamy underside of glamour and romance than celebrating 
        its glitter. The Brel tune "Next" must have lifted a few teenage 
        mums' eyebrows with its not-so-hidden hints of homosexuality and abuse. 
        Another Brel tune, "The Girl and the Dogs," is less controversial, 
        but hardly less nasty in its jaded view of romance. Some of the material 
        is not nearly as memorable, however, and the over-the-top show ballad 
        production can get overbearing. The album included his first Top 20 U.K. 
        hit, "Jackie." (by Richie Unterberger, AMG) | 
  
    | Released in May 1968, `Scott II´ became Walker's 
      only Number 1 album. Featuring songs written by Jacques Brel (Jackie, Next, 
      The Girls And The Dogs), Burt Bacharach & Hal David (Windows Of The 
      World) and Tim Hardin's Black Sheep Boy amongst the album's 12 tracks, Scott 
      II occupied an influential, if contrasting position towards that year's 
      summer of love. The influence remains: it's worth noting how more modern 
      interpretations of Brel, from Bowie and Almond to Momus, rely so heavily 
      on Walker's master cuts. (Q) |