| The close of the 1970s saw Jerry Jeff Walker quickly approaching the 
        second major crossroads in his career. The first happened when he moved 
        to Texas and left behind his shuffling folk music ways. The second occurred 
        when he was with Elektra, on this album in particular. Jerry Jeff is the 
        final record before Walker moved to Rykodisc in the late '80s on which 
        he retained his good-time cowboy songwriter persona on a recording. Self-produced, 
        as is its predecessor, Too Old to Change, Walker was moving in directions 
        where enormous sounds and big-time rock & roll crescendos as well 
        as a steady stream of jazz influences were entering his work, and he was 
        writing less and less. Here, the first two tracks are startling in their 
        contrast, as is the first half of the album to the second. The opener, 
        "Eastern Avenue River Railway Blues," begins with the familiar, 
        slow, meandering good-time Walker telling a story in song in his inimitable 
        fashion. That is dressed in overlaid piano tracks and jazz scatting and 
        still retains its essential Walker flavor. Lee Clayton's "Lone Wolf" 
        is given a Neil Young and Crazy Horse treatment with grungy guitars screaming 
        and huge drums popping all over the mix. Contrast this with the bluesy 
        "Bad News," with its New Orleans R&B-cum-honky tonk country 
        flavor, full of horns and upright piano and raucous guitars, and you have 
        something of an anomaly for Walker. This continues through "Boogie 
        Mama," which sounds like Bob Seger in Texas, and the easy Dixieland 
        swing of "I'm Not Strange," a big Walker singalong with electric 
        guitars backing a brass section. And then comes the shift where Walker's 
        growing fascination with the Caribbean becomes entrenched in his sound 
        on "Good Lovin' Grace." But on Guy Clark's "Comfort and 
        Crazy" and "Follow," Walker leans into a love song in a 
        way that only he can, despite the rhythmic invention. They are tender, 
        full of his rich bass voice, and sweet in the same way an old sweater 
        is. The album ends with Rodney Crowell's classic ballad "By the Banks 
        of the Old Bandera," a song that may not have been written for Walker, 
        but after recording it, no one else should be allowed to. In all, Jerry 
        Jeff is a far better album than it seemed to be in its day. It was simply 
        ahead of its time, and those in the music press who criticized it just 
        didn't quite know what listeners were hearing. Both Too Old to Change 
        and this one are Walker classics that have stood the test of time, and 
        both are available on one fine-sounding CD from Wounded Bird Records. 
        Apologies to Jerry Jeff and crew for misunderstanding the first time around, 
        and thanks for this one.  (by Thom Jurek, All 
        Music Guide) |