| The mid- to late '70s were good to Jerry Jeff Walker. He recorded a string 
        of absolutely endearing classics of the outlaw singer/songwriter genre 
        of country music: Viva Terlingua, Walker's Collectibles, Jerry Jeff Walker, 
        It's a Good Night for Singin', the live A Man Must Carry On, and this 
        one, Ridin' High from 1975. Most Walker fans will argue like hell about 
        which is best, but they are interchangeably great and stand the test of 
        time in the same way Guy Clark's and Billy Joe Shaver's albums do. In 
        any case, Ridin' High is pure Texas country drunk & roll with some 
        Nash Vegas players added to the Lost Gonzo Band for some truly Cosmic 
        Cowboy yammering. The material here is top-notch: Willie Nelson's "Pick 
        Up the Tempo," Bob Livingston's "Public Domain," and Guy 
        Clark's "Like a Coat from the Cold" -- and they're the first 
        three tracks on the album! Walker has a way of delivering drunken anthems 
        and tender ballads in his deep bass voice that brings you into the song 
        so far you feel as if he's singing it just for you and your friends. He 
        does this consistently on this album, backed by a star cast of players 
        including not only the Gonzos but also Johnny Gimble, David Briggs, Norbert 
        Putnam, and others. And the gorgeous horn touches added by Michael Brovsky 
        are stunning. Two of Walker's own best songs are here, "I Love You," 
        written for his then new wife Susan, and the rowdy man's good-time anthem 
        "Pissin' in the Wind." The album is rounded out by Jesse Winchester's 
        "Mississippi You're on My Mind," Mike Burton's oft-covered nugget 
        "Night Rider's Lament," and a few others. The album feels like 
        a solid stream of hippie cowboy music fed by cold Lone Star, lots of pot, 
        and the occasional line. To listen closely is to miss the point. This 
        is an album to be experienced with the senses, entering into the free 
        flow of Walker's good-time world even for the 40 minutes it takes to listen 
        to the album. But that's far better than nothin', ain't it?  (by Thom Jurek, All 
        Music Guide) |