| ... Reissue der 1970er DoLP, ihr Zweitling und ein Klassiker! Acid-, Progressive-, Space-Rock, eine Menge Psychedelia und ein wenig „Free Rock“ gehen eine (oft laute und dicht instrumentierte!) Verbindung voller innovativer z.T. ziemlich ausgeflippter Ideen und Energie ein. Die frühen Pink Floyd hinterlassen massive Spuren, auch experimentellerer Natur, 1x auch Cream. Dazu kommen 2x relaxte fließende hippie-eske akustische Ethno-Sounds. (Sehr) lange eng verzahnte wie losere Improvisationen von Gitarre, Orgel, Geige wechseln mit kurzen Songs (z.B. die großartige Single Archangels Thunderbird, auch heute noch etwas Besonderes!). Auffallend: Renate Knaups teils klangmalerische Stimme. (Glitterhouse) | 
  
    | The second album by Amon Düül II (not to be confused with the 
        more anarchic radicals Amon Düül), 1970's Yeti, is their first 
        masterpiece, one of the defining early albums of Krautrock. A double album 
        on vinyl (most CD issues have squeezed the two discs onto one CD by cutting 
        three minutes out of "Pale Gallery"; the Captain Trips CD restores 
        it to its full five-minute length), Yeti consists of a set of structured 
        songs and a second disc of improvisations. It's testament to the group's 
        fluidity and improvisational grace that the two albums don't actually 
        sound that different from each other, and that the improvisational disc 
        may actually be even better than the composed disc. The first disc opens 
        with "Soap Shop Rock," a 12-minute suite that recalls King Crimson's 
        early work in the way it switches easily between lyrical, contemplative 
        passages and a more violent, charging sound, and continues through a series 
        of six more songs in the two- to six-minute range, from the ominous, threatening 
        "Archangels Thunderbird" (featuring a great doomy vocal by mono-named 
        female singer Renate) to the delicate, almost folky acoustic tune "Cerberus." 
        The improvisational disc contains only three tracks, closing with a nine-minute 
        stunner called "Sandoz in the Rain" that's considered by many 
        to be the birth of the entire space rock subgenre. A delicate, almost 
        ambient wash of sound featuring delicately strummed phased acoustic guitars 
        and a meandering flute, it's possibly the high point of Amon Düül 
        II's entire career.  (by Stewart Mason, All Music Guide) |