| "Lyle Lovett is many things, but prolific is not one 
      of them. Yes, at the outset of his career, he released an album every year 
      or two, but by the time he became a star in the early '90s, he slowed down 
      quite a bit. Between 1992's Joshua Judges Ruth and 2003's My Baby Don't 
      Tolerate, his first release on Lost Highway, he only released one album 
      of new original material: The Road to Ensenada, in 1996, which followed 
      1994's I Love Everybody, a clearing-house of songs he wrote before his first 
      album. So, My Baby Don't Tolerate is his first album of new songs in seven 
      years, and two of its 14 songs  "The Truck Song" and "San 
      Antonio Girl"  were previously released on 2001's Anthology, 
      Vol. 1 (which is bound to frustrate fans that bought that uneven collection 
      just for the new tunes), leaving this as a collection of 12 new songs. Given 
      the long wait between albums and since the record is so firmly in the tradition 
      of The Road to Ensenada that it could be branded a sequel, there may be 
      an initial feeling of anticlimax, since there's not that many songs and 
      they all feel familiar. Such is the complication of a long wait  it 
      invariably raises expectations  but judged as a collection of songs 
      against Lovett's other albums, My Baby Don't Tolerate holds its own very 
      well. As mentioned above, it is very similar to The Road to Ensenada, sharing 
      that album's clean, unadorned production, directness, and preponderance 
      of straight-ahead country songs. And it's not just that the album is country; 
      it's that many of his eccentricities are toned down, to the point that when 
      Lovett ends the album with two gospel numbers, they sound like shtick. Even 
      the handful of ballads are lighter, lacking the somber introspection of 
      Joshua Judges Ruth or the subtleness of I Love Everybody. Everything here 
      is out in the open, and it's the better for it; musically, it may offer 
      no surprises, but its directness is appealing, particularly because Lovett 
      simply sounds good singing country songs. And that's what My Baby Don't 
      Tolerate offers  Lovett singing good country songs and sounding good. 
      It's not a complicated pleasure, but it doesn't need to be, and after a 
      long dry spell, it sure is nice to have a new collection of songs from this 
      reliable songwriter." (Stephen Thomas Erlewine, All 
      Music Guide) |