| by Stephen Thomas Erlewine After the guest-star-drenched No Reason to Cry failed to make much of 
        an impact commerically, Eric Clapton returned to using his own band for 
        Slowhand. The difference is substantial -- where No Reason to Cry struggled 
        hard to find the right tone, Slowhand opens with the relaxed, bluesy shuffle 
        of J.J. Cale's "Cocaine" and sustains it throughout the course 
        of the album. Alternating between straight blues ("Mean Old Frisco"), 
        country ("Lay Down Sally"), mainstream rock ("Cocaine," 
        "The Core"), and pop ("Wonderful Tonight"), Slowhand 
        doesn't sound schizophrenic because of the band's grasp of the material. 
        This is laid-back virtuosity -- although Clapton and his band are never 
        flashy, their playing is masterful and assured. That assurance and the 
        album's eclectic material make Slowhand rank with 461 Ocean Boulevard 
        as Eric Clapton's best albums.  |