| Without a doubt, Two Steps From the Blues is the definitive Bobby "Blue" 
        Bland album and one of the great records in electric blues and soul-blues. 
        In fact, it's one of the key albums in modern blues, marking a turning 
        point when juke joint blues were seamlessly blended with gospel and Southern 
        soul, creating a distinctly Southern sound where all of these styles blended 
        so thoroughly it was impossible to tell where one began and one ended. 
        Given his Memphis background, Bobby "Blue" Bland was perfectly 
        suited for this kind of amalgam as envisioned by producer/arranger Joe 
        Scott, who crafted these wailing horn arrangements that sounded as impassioned 
        as Bland's full-throated, anguished vocals. It helped, of course, that 
        the songs were uniformly brilliant. Primarily from the pen of Deadric 
        Malone, along with Duke head Don Robey and Scott (among others), these 
        are the tunes that form the core of Bobby "Blue" Bland's legend 
        and the foundation of soul-blues: "Two Steps From the Blues," 
        "I Don't Want No Woman," "Cry, Cry, Cry," "I'm 
        Not Ashamed," "Lead Me On," "Little Boy Blue" 
        -- songs so good they overshadow standards like "St. James Infirmary." 
        These are songs that blur the division between Ray Charles soul and Chess 
        blues, opening the doors for numerous soul and blues sounds, from Muscle 
        Shoals and Stax through the modern-day soul-bluesman. Since this, like 
        many blues albums from the late '50s/early '60s, was a collection of singles, 
        it's possible to find the key tracks, even the entire album, on the numerous 
        Bobby "Blue" Bland collections released over the years, but 
        this remains an excellent, essential blues album on its own terms -- one 
        of the greatest ever released.  (by Stephen Thomas Erlewine, All 
        Music Guide) | 
  
    | This collection of the blues singer's 1958-1961 singles was recorded 
        after Bland had his tonsils removed and lost some of his upper register. 
        The result -- an even more stirring, guttural howl -- is epitomized by 
        "Little Boy Blue" and "Cry, Cry, Cry," which erase 
        any distinction between blues and soul.  (Rolling Stone) Total album sales: Under 500,000 // Peak chart position: 116  |