Although Walker's second album was his biggest commercial success, actually
reaching number one in Britain, it was not his greatest artistic triumph.
His taste remains eclectic, encompassing Bacharach/David, Tim Hardin,
and of course his main man Jacques Brel (who is covered three times on
this album). And his own songwriting efforts hold their own in this esteemed
company. "The Girls From the Streets" and "Plastic Palace
People" show an uncommonly ambitious lyricist cloaked behind the
over-the-top, schmaltzy orchestral arrangements, one more interested in
examining the seamy underside of glamour and romance than celebrating
its glitter. The Brel tune "Next" must have lifted a few teenage
mums' eyebrows with its not-so-hidden hints of homosexuality and abuse.
Another Brel tune, "The Girl and the Dogs," is less controversial,
but hardly less nasty in its jaded view of romance. Some of the material
is not nearly as memorable, however, and the over-the-top show ballad
production can get overbearing. The album included his first Top 20 U.K.
hit, "Jackie." (by Richie Unterberger, AMG)
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Released in May 1968, `Scott II´ became Walker's
only Number 1 album. Featuring songs written by Jacques Brel (Jackie, Next,
The Girls And The Dogs), Burt Bacharach & Hal David (Windows Of The
World) and Tim Hardin's Black Sheep Boy amongst the album's 12 tracks, Scott
II occupied an influential, if contrasting position towards that year's
summer of love. The influence remains: it's worth noting how more modern
interpretations of Brel, from Bowie and Almond to Momus, rely so heavily
on Walker's master cuts. (Q) |